Little in the world is as heartstraining as grabbing the last perrier. You want to drink it, but part of you just doesn’t want to let it go. Not like that. Love made me poke my slippered foot into the den of discarded gull bait, rub it against the package. Maybe there could be one left, maybe this isn’t goodbye. Sorrow clouded my aim. My foot exploded in a crack of white flame as nerves shot watts to my brain. Writhing floorbound in agony, in the throws of most extreme angst, my brutish colleague supposes to characture the nature of bravery.
There is a continuum between bravery and ballsyness. On the former side you have running into a burning building to save a crippled gifted kid, on the latter, anything done at rodeos. Sometimes the line is narrow. Resisting your torturers is slightly more stupid than brave. At least lie or something.
Anyway. Sensitivity to pain is not cowardice.
I respect Nicolas Cage. It isn’t his mediocre acting, nor his awkward good looks and receding hairline. It is his work ethic. While most well known actors content themselves with the occasional big budget production, he dogs away at one B film after another. For a time I thought he was somehow constitutionally incapable of rejecting any script his agent threw at him, but the answer is far simpler: He is a working man, and acting is his job. The varying quality of his projects and abilities is no different than the persistent swings in performance faced by any professional.
Unfortunately, after his appearance on Conan last night, it is clear he does not share this insight. He appears to have somehow misconstrued himself as an artist of some sort. Evidenced by his jilted and arrogant explanation of expanding his art form by working with foreign directors, observing how they can put his performance talents to work. Really? It would appear that talent has something to do with being inconsistent as fuck.
Discussion quickly turned to his upcoming cinematic travesty release: Bangkok Dangerous. After some brief talk is cheap pandering the ‘highly stylized’ (his words) clip came on. An action sequence, presumably near the climax of the film. You hear words like stylized thrown around a lot, but finally we can settle on a definition: coloring the frame red. Bold artistic expression aside, with double pistols, subtle slow motion, and horrible inaccuracy over extremely short distances, it was a brilliant parody of action clichés. But it wasn’t supposed to be. Reaffirming my wager, made after seeing the preview, that it is destined to reside in single digit rotten tomatoes glory. The man at least needs to stop taking himself so seriously. That way I can see him on talk television without getting that awkward feeling of watching someone make an international idiot of themselves.
In closing, I don’t much like Conan and Lord of War fucking rules